One but Two
 
Acrylic painting on Fabriano paper 56.5 x 71 cm
 
Style:
Cubism Influence: The fragmented and geometric representation of facial features and other elements suggests an influence from Cubism, where objects are broken down into geometric shapes and reassembled in an abstract form.
Expressionism: The use of bold, intense colors and exaggerated features conveys strong emotions, characteristic of Expressionism.
Surrealism: The overlapping and intertwining faces create a dream-like, surreal quality, blending reality with imagination.
Composition:
Color Palette: The artwork uses a wide range of vibrant colors, including reds, blues, yellows, and greens. These colors are applied in a way that draws the eye across the canvas, creating a dynamic and engaging visual experience.
Lines and Shapes: Strong, angular lines and a variety of geometric shapes dominate the composition. The lines are both vertical and diagonal, guiding the viewer's gaze and creating a sense of movement.
Symmetry and Balance: Despite the abstract nature, there is a sense of balance in the artwork. The two faces are positioned symmetrically, with each side mirroring certain elements while differing in others, creating harmony within the complexity.
Texture and Patterns: There are numerous textures and patterns within the painting, achieved through varied brush strokes and color applications. These add depth and interest to the composition.
Interpretation:
The merging of two faces into one can symbolize various themes such as duality, unity, or the multifaceted nature of identity.
The vibrant colors and abstract forms might represent the complexity of human emotions and experiences.